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Illustration of an Indian woman holding a flower
This exhibition is in the past. View our current exhibitions.

The Mughals

In the seventeenth century, a dynasty of emperors, now known as the Mughals, celebrated a glorious Golden Age. Descended from the Timurid rulers of Iran and Central Asia, the Mughals were a Muslim, Persian-speaking dynasty. Many of the South Asian paintings and manuscripts in the Royal Collection on display in this room date to the period when the Mughal Empire, richer and stronger than any European power, encompassed much of the Indian subcontinent.

An engraving of Emperor Shah-Jahan (1592-1666). This is a plate from Principum et illustrium quorundam virorum, qui in Europa alibique terrarum, qua fama, qua eruditione celebres fuerunt, verae imagines, published by Lugduni Batavorum c.1700.
Early Encounters

Elizabeth I granted a group of 125 merchants a monopoly on all English trade to Asia, giving birth to the East India Company

An engraving of Emperor Shah-Jahan (1592-1666). This is a plate from Principum et illustrium quorundam virorum, qui in Europa alibique terrarum, qua fama, qua eruditione celebres fuerunt, verae imagines, published by Lugduni Batavorum c.1700.
The rise of the East India Company

The East India Company’s fortunes went from strength to strength after a treaty of 1765

An illuminated Persian manuscript of the collected works of Hafiz, c. 1600. 
Hafiz is the best-known Persian classical poet, most famous for his ghazals (short lyric poems) on the themes of love. Like sonnets, these were intended to be sung or at least re
The Mughal art of the book

The finest examples were illuminated, illustrated with exquisite paintings and protected by leather bindings and silk covers


Recto: 

Similar to Lal's painting on 1005039, this is one of several related works attributed to the artist which depict a Mughal majlis (gathering) with the essential components of poetry, wine, music and conversation. 

Top and bottom: 


Verse&n
An album of calligraphy and painting

The Persian name for an album of paintings and calligraphy is muraqqa, derived from the Arabic word for ‘patchwork’

An album of portraits

In Mughal thought, physical appearance was considered a direct reflection of character

This is the earliest painting in the Khamsah manuscript (see RCIN 1005032), dating to 1540. The painting depicts the passage in Navai’s text describing an imaginary meeting in a bathhouse between Fakhr al-Din al-Razi, the twelfth-century Muslim theo
The ‘Khamsa’ (‘Quintet’) of Nava’i

Old manuscripts were often ‘refurbished’ in the Mughal workshops - this manuscript was one of the most valuable in the Mughal imperial library

Padshahnamah fol. 218v (plate 45)
Prince Awrangzeb’s sihra-bandi ceremony at Agra on 18 May 1637.  
Prince Awrangzeb returned from his posting as Governor of the Deccan in April 1637 to prepare for his wedding to Dilras Banu, the daughter of Mirza R
The ‘Padshahnama’ (‘Book of Emperors’) of Abd al-Hamid Lahori

The ‘Padshahnama’ (‘Book of Emperors’) is a chronicle commissioned by the fifth Mughal emperor Shah-Jahan

recto: 

Krishna and the Gopis play hide-and-seek, c. 1730-40
A companion painting to that on the opposite folio (46v, RCIN 1005069.au) by the same artist, Krishna sits in a leafy bower playing hide-and-seek with a lady, possibly his lover Radha, who walk
Mughal painting in the eighteenth century

The subject matter of imperial Mughal painting changed during the reign of Emperor Muhammad Shah


The income from your ticket contributes directly to The Royal Collection Trust, a registered charity. The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.