This is one of eight head studies by Sebastiano Ricci in the 'Italian List', included in an inventory of pictures bought by George III and understood to form the basis of Consul Smith's collection. All are copies from Veronese's great The Feast in the House of Levi (Accademia, Venice), which in Sebastiano's time was in its original location, the refectory of the Dominicans at Santi Giovanni e Paolo. Originally painted as a Last Supper, Veronese's painting was completed in 1573 and renamed 'Feast in the House of Levi' by the artist following a tribunal of the Inquisition. The two heads here derive from those of the servant and the boy found at the far left of Veronese's composition. Ricci has juxtaposed them, perhaps for compositional reasons; the man's head is looking down, while the boys head is looking out at the spectator, and the two heads touch.

Sebastiano probably painted the studies between 1725 and 1730, when Consul Smith was commissioning and buying so much of his work; the artist's studies were well known in his own lifetime and were themselves copied. There exist further comparable heads by Ricci; it may be that Consul Smith originally owned all of the of the copies by Ricci of heads in Veronese's painting, but that for unknown reasons only some were sold to George III. Ricci's copies are painted as sketches - almost as if to suggest preparatory sketches for Veronese's picture, though there cannot have been any attempt to deceive, as it was widely published that Ricci had executed them. Indeed, Zanetti specifically praised them thus in his Descrizione di tutte le pubbliche pitture della Città di Venezia e isole circonvicine published in 1733: 'These heads were copied with pleasure by the famous Sebastiano Ricci some years later, and this may suffice as a seal of truth in respect of what has been said' (Zanetti 1733, p.251).

The painting was cleaned in 1977-8. On the reverse of this canvas was the seal of Joseph Smith; it is no longer extant and may have been lost during earlier conservation treatment.

Adapted from Canaletto & the Art of Venice, 2017.