Search results

Start typing

Jacob Jacobsz de Wet II (Haarlem 1641/2 - Amsterdam 1697)

Macbeth, King of Scotland (1043-60) 1684-86

Oil on canvas | 79.0 x 81.0 cm (support, canvas/panel/stretcher external) | RCIN 403309

Great Gallery, Palace of Holyroodhouse

Your share link is...

  Close

  • Macbeth is depicted within a painted oval, facing the front, wearing armour, and with a beard and a long moustache. This portrait is one of ninety-three bust-lengths commissioned to decorate the Great Gallery at Holyroodhouse, Edinburgh. It is painted by Jacob de Wet II, a Dutch artist working in Scotland from 1673. Together with eighteen full-lengths these portraits illustrate the genealogy of the royal house of Scotland from Fergus I (who ascended the throne in 330 BC) to James VII (who abdicated in 1689). De Wet’s iconographic scheme was based on well-known chronicles of Scottish history by the Renaissance humanists Hector Boece (Scotorum Historiae, 1527) and George Buchanan (Rerum Scoticarum Historia, 1582). The inscriptions on the paintings correspond with Buchanan’s list of Scottish kings: from left to right, these are the number and name of the king followed by the date of accession. The dates however are considerably muddled, by a later restorer or perhaps even the artist himself. Both real and legendary, their purpose was to proclaim the authority of the Stuarts as divinely appointed rulers of Scotland. Commissioned and paid for by the Scottish Privy Council, the series was intended to convey the power and greatness of the country’s governing body as much as that of their king. With no authentic likenesses on which to base his portraits of medieval kings, de Wet made extensive use of an earlier set by the Scottish artist George Jamesone, of which twenty-six survive in private collections. From this limited basis the resulting series appears rather repetitious. Much more important than their aesthetic merit therefore was the symbolic power of painting an extremely long royal lineage stretching more than two millennia. Buchanan, Rerum Scoticarum Historia (translation from 1751): ‘Son of Douada, Daughter of Malcolm II … In the Beginning of his Reign he behaved himself a good and just Prince, but after he degenerated into a cruel Tyrant. He was slain in Battle by his Successor Malcolm III’. Number 85 in the series. Inscribed MACBETHUS. 1040.
    Provenance

    Commissioned by the Scottish Privy Council in the name of Charles II.

  • Medium and techniques

    Oil on canvas

    Measurements

    79.0 x 81.0 cm (support, canvas/panel/stretcher external)

  • Other number(s)
    Alternative title(s)

    MACBETHUS


The income from your ticket contributes directly to The Royal Collection Trust, a registered charity. The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.