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Mikhail Evlampievich Perkhin (1860-1903)

Frame with miniature of Tsarina Marie Feodorovna  c.1895

Four colour gold, violet guilloché sunburst enamel containing watercolour miniature | 9.0 x 7.8 x 7.3 cm | RCIN 40107

  • This portrait miniature of the Dowager Tsarina Marie Feodorovna was painted by Johannes Zehngraf and is based on a photograph by Alexander Alexandrovich Pasetti of 1894. Marie Feodorovna (1847-1928), born Princess Dagmar of Denmark, married the future Tsar Alexander III in 1866. In contrast to the Tsar, she enjoyed the excitement and extravagance of court life in St Petersburg. She had great admiration for Fabergé and his artistry and in 1882 she personally endorsed his work by purchasing a pair of gold cuff links in neo-Greek style from the Pan-Russian exhibition in Moscow.

    Following her husband’s death in 1894, her son Nicholas II continued the tradition of presenting her with a Fabergé Easter egg. In a letter dated 8 April 1914 to her sister Queen Alexandra, she describes how on receipt of the egg for that year she told Fabergé ‘vous êtes un génie incomparable’. Even during the first decade of the twentieth century, in a period of particularly difficult political relations between England and Russia, Marie Feodorovna visited England several times, notably in 1902 for the coronation of Edward VII and Queen Alexandra.

    Following the Revolution in 1917, the Dowager Tsarina escaped to the Crimea and was eventually rescued with her daughter, Grand Duchess Xenia, by a British cruiser sent at King George V’s insistence. After a brief stay with her sister and nephew at Sandringham, she returned to Denmark, moving finally to Hvidøre, the villa outside Copenhagen she shared with Queen Alexandra. Even at Hvidøre, where she was to spend the remainder of her life, she was not without objects by Fabergé, having earlier had seals made for use there; of these there is an example in the Royal Collection.

    Mark of Michael Perchin; gold mark of 56 zolotniks (before 1896); Fabergé in Cyrillic characters. Miniature signed Zehngraf.

    Text adapted from Fabergé in the Royal Collection and the catalogue entry from "Gold", London, 2014. 


    Acquired by the Prince and Princess of Wales (later King Edward VII and Queen Alexandra), c.1895
  • Creator(s)

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    Mikhail Evlampievich Perkhin (1860-1903) (workmaster)

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    Johannes Zehngraf (1857-1908) (miniaturist)

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    Fabergé (jeweller) [

    The House of Fabergé was the greatest Russian jewellery firm of the late nineteenth and early twentieth centuries.  It is most famous today for the spectacular Imperial Easter Eggs produced for the Russian royal family, but almost six hundred of its other creations are also represented in the Royal Collection. These include exquisite animal sculptures, cigarette cases and presentation boxes, as well as flower carvings, photograph frames and jewellery.

    Fabergé pieces largely entered the Collection as gifts exchanged by the Russian, Danish and British royal families.  Queen Alexandra, the wife of King Edward VII, frequently received Fabergé works as birthday and Christmas presents from her sister, Tsarina Marie Feodorovna of Russia.  King Edward VII meanwhile expanded the collection by commissioning portrait sculptures of his favourite pets and other animals on the Sandringham Estate.

    Although the Russian Revolution forced the Fabergé firm's closure in 1918, royal fascination with its work endured.  In the 1930s, King George V and Queen Mary purchased the three Imperial Easter Eggs now in the Collection – the Basket of Flowers Egg, the Colonnade Egg and the Mosaic Egg.  Queen Elizabeth The Queen Mother also formed an outstanding collection of flower sculptures, ornaments and boxes.

    The House of Fabergé was founded in 1842 in St Petersburg, by Gustav Fabergé, a master goldsmith of French extraction.  After 1872, his son, Peter Carl, took over the running of the firm and quickly transformed it into a large enterprise with several separate workshops.  It became renowned for its intricate hardstone carvings and for the use of precious stones and transparent (guilloché) enamel to embellish coloured gold.  Under Carl Fabergé, three of the very best craftsmen were promoted to the position of head workmaster.  Pieces by Erik Kollin (1872-1886), Michael Perchin (1886-1903) and Henry Wigström (1903-1917) are all represented in the Royal Collection.

    In 1885, the firm was awarded a warrant as official supplier to the imperial court.  It was also in this year that the Tsar commissioned the first Imperial Easter Egg, starting an annual tradition which would showcase some of the firm's most inventive and sophisticated craftsmanship.  A London branch was opened in 1900 under the management of H.C. Bainbridge, and quickly became a favourite haunt of the British royal family and their circle.  At its peak, the Fabergé business employed almost five hundred craftsmen.


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    A Pasetti : St Petersburg (photographer) [19th Century Russian Photographer ]


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    King Edward VII, King of the United Kingdom (1841-1910)

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    Queen Alexandra, consort of King Edward VII, King of the United Kingdom (1844-1925)


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    Empress Maria Feodorovna, consort of Alexander III, Emperor of Russia, 2nd daughter of Christian IX, King of Denmark (1847-1928)

  • Medium & Techniques

    Four colour gold, violet guilloché sunburst enamel containing watercolour miniature

    purple enamel, gold

    watercolour painting


    9.0 x 7.8 x 7.3 cm (whole object)

  • References

    Vic Min : Remington, V., 2010. Victorian Miniatures in the Collection of Her Majesty the Queen - Vic Min 927

    Alternative titles

    Tsarina Marie Feodorovna (1847-1928)