The Grand Canal looking East from Campo San Vio towards the Bacino c.1727-28
Oil on canvas | 47.6 x 79.5 cm (support, canvas/panel/stretcher external) | RCIN 400518
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This is one of a series of twelve views by Canaletto of the Grand Canal which are all the same format. The pictures form the basis of the fourteen engraved plates in Visentini's 'Prospectus Magni Canalis Venetiarum' (Venice, 1735), thus providing an uncontested date for completion. It is thought that they originated in the years around 1730. The paintings were all acquired by George III with the collection of Consul Smith.
The Campo (or Campiello) San Vio opens on to the Grand Canal at a point a hundred metres east of the Carità, and this view thus repeats some of the buildings shown in the previous painting. The church of San Vio, properly Santi Vito e Modesto, is out of picture to the right of this view, and was demolished in 1813. The right side of the painting is taken up by the flank of Palazzo Barbarigo, with the gothic façade of Palazzo da Mula in sharp foreshortening beyond. The dome of the Salute protrudes above the Palazzi Dario, Barbaro and Benzon. This view is impossible from the narrow campo: Canaletto has expanded the foreground and incorporated a view of the right bank taken from a little way into the canal.
The left bank of the canal is dominated by Palazzo Corner della Ca' Grande, built after 1533 to Sansovino's designs. Beyond are Palazzi Minotto and Gritti, and finally the tall Palazzo Flanghini Fini. On the horizon are the belltowers of San Martino (left) and San Biagio (right), with the dome and tower of San Pietro di Castello in between. Perhaps surprisingly, given that no celebrated building other than Palazzo Corner is seen well, this was one of the most popular compositions of Canaletto's whole career, and many versions are known.
Catalogue entry adapted from Canaletto in Venice, London, 2005.Provenance
Acquired in 1762 by George III from Joseph Smith, British Consul in Venice (Italian List nos 65-76); recorded in the Gallery at Kew in 1805 (no 11)
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Medium and techniques
Oil on canvas
Measurements
47.6 x 79.5 cm (support, canvas/panel/stretcher external)
64.4 x 96.2 x 9.0 cm (frame, external)
Other number(s)
Alternative title(s)
Venice: the Grand Canal from Campo S. Vio towards the Bacino