|
 Michelangelo
Drawings, watercolours and prints in the e-Gallery online
The Royal Collection contains around 40,000 drawings and watercolours, and 150,000 prints. The collection is particularly strong in Old Master drawings, especially by Italian artists, and Victorian watercolours. Most famous are the groups of around 80 portrait drawings by Hans Holbein the Younger and 600 drawings by Leonardo da Vinci, including studies of anatomy, landscape, water and natural history. From the Italian Renaissance there are also important groups by Raphael and Michelangelo, including several of the latter’s famous ‘presentation drawings’.
The Italian Baroque drawings are principally of the Roman and Bolognese schools, with large groups by the Carracci, Domenichino, Maratti, Sacchi, Sassoferrato, Della Bella, Bernini, Castiglione and Guercino. The collection also contains most of Cassiano dal Pozzo’s encyclopaedic ‘Paper Museum’. The 18th-century Italian drawings are mainly Venetian, with matchless groups by Canaletto, Piazzetta, and Sebastiano and Marco Ricci. There are also significant numbers of Dutch, Flemish, German and French drawings, mainly of the 16th and 17th centuries, including groups by Poussin and Claude. Eighteenth-century English drawings include fine series by Paul and Thomas Sandby (particularly relating to Windsor Castle) and William Hogarth, whilst the thousands of 19th-century watercolours relate principally to the reign of Queen Victoria and to her family and travels.
The print collection includes large groups by Dürer, Hollar, Canaletto, Della Bella, Silvestre, Callot, Hogarth and Rowlandson, and collections of prints after the works of Raphael, Reynolds and Landseer. Most of the other prints are organised by subject-matter, including royal portraits of all countries, non-royal British portraits, topography, and prints of historical events.
The British architectural drawings in the collection are almost exclusively connected with the royal residences. At the core of the extensive holdings of maps is George III’s military collection, dealing with military operations throughout the world before c.1820.
History
The greater part of the drawings, watercolours and prints are housed in the Print Room at Windsor Castle, the present layout of which was created by Prince Albert in the 1850s. Assembled over the last five centuries, the collection was principally shaped by just three monarchs. Charles II laid the foundation of the Old Master drawings, acquiring mainly Renaissance works (including the Holbeins and Leonardos).
George III made substantial additions, mainly through his purchases of two major drawings collections, those of Consul Joseph Smith in Venice and of Cardinal Alessandro Albani in Rome. Queen Victoria and Prince Albert commissioned many works from contemporary artists as mementos of their lives together. Prince Albert also initiated the Raphael Collection, which sought to assemble reproductions (prints and photographs) of every known work by, or deriving from, Raphael, and consists of some 5,500 individual items.
Since the 19th century, additions have continued to be made, through gift (particularly on State Visits and at Coronations and Jubilees), purchase and commission. The collection is neither consistent nor comprehensive, but reflects (and often records) the interests and lives of British sovereigns through the last 400 years.
Information and access
Works of art on paper are easily damaged by exposure to light and cannot be placed on permanent display. They are kept in carefully controlled conditions in the Print Room at Windsor Castle.
A changing selection of Old Master drawings, including works by Leonardo da Vinci, is always on view at the Castle. Drawings, watercolours and prints are regularly included in exhibitions at The Queen’s Galleries in London and Edinburgh. These exhibitions may also be seen on the Royal Collection’s e-Gallery. Loans of graphic art from the Royal Collection are frequently made to exhibitions around Britain and the world.
Catalogues of recent Royal Collection exhibitions are available through the Royal Collection’s online shop. For catalogues of the Paper Musuem of Cassiano dal Pozzo, please see the Cassiano Project website. Other Old Master drawings and the British drawings before 1901 have been published in a series of catalogues. Parts of the collection are available on microfiche from Mindata (www.mindata.co.uk) a microfiche of the Raphael Collection is available from the Warburg Institute (www.sas.ac.uk/warburg).
Specialist research visits to the Print Room are by appointment only and are subject to security clearance.
Enquiries may be sent by post, fax or e-mail to:
The Print Room Windsor Castle Berkshire SL4 1NJ Fax 44 (0)1753 854910 E-mail printroom@royalcollection.org.uk
Official catalogues of drawings in the Royal Collection
Italian Drawings - General
A.E. Popham and J. Wilde, The Italian Drawings of the XV and XVI Centuries in the Collection of His Majesty The King at Windsor Castle (Phaidon, 1949; reprinted by Johnson Reprint Corporation, 1984, with Appendix by Rosalind Wood)
O. Kurz, Bolognese Drawings of the XVII and XVIII Centuries in the Collection of Her Majesty The Queen at Windsor Castle (Phaidon, 1955; reprinted by Nuova Alfa Editoriale, 1988 with new Appendix by Henrietta McBurney)
A.F. Blunt and H.L. Cooke, The Roman Drawings of the XVII and XVIII Centuries in the Collection of Her Majesty The Queen at Windsor Castle (Phaidon, 1960)
A.F. Blunt and E. Croft-Murray, Venetian Drawings of the XVII and XVIII Centuries in the Collection of Her Majesty The Queen at Windsor Castle (Phaidon, 1957)
E. Schilling and A.F. Blunt, The German Drawings and Supplements to the Catalogues of Italian and French Drawings in the Collection of Her Majesty The Queen at Windsor Castle (Phaidon, 1971) Italian - Single artists
K.T. Parker, The Drawings of Antonio Canaletto in the Collection of His Majesty The King at Windsor Castle (Phaidon, 1948; reprinted by Nuova Alfa Editoriale, 1990, with Appendix by Charlotte Crawley)
R. Wittkower, The Drawings of the Carracci in the Collection of Her Majesty The Queen at Windsor Castle, (Phaidon 1952)
A.F. Blunt, The Drawings of G.B. Castiglione and Stefano della Bella in the Collection of Her Majesty The Queen at Windsor Castle (Phaidon, 1954)
J. Pope-Hennessy, The Drawings of Domenichino in the Collection of His Majesty The King at Windsor Castle (Phaidon, 1948)
A. Braham and H. Hager, Carlo Fontana: The Drawings at Windsor Castle (Zwemmer, 1977)
D. Mahon and N. Turner, The Drawings of Guercino in the Collection of Her Majesty The Queen at Windsor Castle (Cambridge University Press, 1989)
K. Clark and C. Pedretti, The Drawings of Leonardo da Vinci at Windsor Castle. 3 vols (Phaidon, 1968-69)
The Paper Museum of Cassiano dal Pozzo
Series A: Antiquities and Architecture
J. Osborne and A. Claridge, Early Christian and Medieval Antiquities (2 vols, Harvey Miller, 1996-8)
H. Whitehouse, Ancient Mosaics and Wallpaintings (Harvey Miller, 2001)
W. Stenhouse, Ancient Inscriptions (Royal Collection/Harvey Miller, 2002)
I. Campbell et al., Ancient Roman Topography and Architecture (3 vols, Royal Collection/Harvey Miller, 2004) Series B: Natural History
D. Freedberg and E. Baldini, Citrus Fruit (Harvey Miller, 1997)
A. Scott and D. Freedberg, Fossil Woods and other Geological Specimens (Harvey Miller, 2000)
D. Pegler and D. Freedberg, Fungi (3 vols, Royal Collection/Harvey Miller, 2006)
F.Garbari and L. Tongiorgi Tomasi, Flora: The 'Erbario Miniato' and Other Drawings (2 vols, Royal Collection/Harvey Miller, 2007) Northern European Drawings - General
A.P. Oppé, English Drawings in the Collection of His Majesty The King at Windsor Castle (Phaidon, 1950)
Delia Millar, The Victorian Watercolours in the Collection of Her Majesty The Queen (Philip Wilson Publishers, 1995)
A.E. Haswell Miller and N.P. Dawnay, Military Drawings and Paintings in the Collection of Her Majesty The Queen at Windsor Castle (Phaidon, 1966 and 1970)
Christopher White and Charlotte Crawley, The Dutch and Flemish Drawings at Windsor Castle (Cambridge University Press, 1994)
A.F. Blunt, The French Drawings in the Collection of His Majesty The King at Windsor Castle (Phaidon, 1945)
E. Schilling and A.F. Blunt, The German Drawings and Supplements to the Catalogues of Italian and French Drawings in the Collection of Her Majesty The Queen at Windsor Castle (Phaidon, 1971)
Single artists
K.T. Parker, The Drawings of Hans Holbein in the Collection of His Majesty The King at Windsor Castle (Phaidon, 1945; reprinted Johnson Reprint Corporation, 1983, with Appendix by S.Foister)
Prudence Leith-Ross, The Florilegium of Alexander Marshal (Royal Collection, 2000)
A.P. Oppé, The Drawings of Paul and Thomas Sandby in the Collection of His Majesty The King at Windsor Castle (Phaidon, 1947)
|