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Royal Collection Trust/© Her Majesty Queen Elizabeth II 2014

A Country House on the Vliet near Delft

Overview

Creator: Jan van der Heyden (Gorinchem 1637-Amsterdam 1712) (artist)
Creation Date: 
c.1665
Materials: 
Oil on panel
Dimensions: 
46.6 x 58.8 cm
RCIN 
405948
Reference(s): 
CW 66
XQG 1962 Treas 48
XQG 1971 Dutch 50
XQG 1988 Treas 47
Acquirer: George IV, King of the United Kingdom (1762-1830), when Prince Regent (1811-20)
Provenance: 
Purchased by George IV from Sir Thomas Baring as part of a group of 86 Dutch and Flemish paintings, most of which were collected by Sir Thomas’s father, Sir Francis Baring; they arrived at Carlton House on 6 May 1814.
Description:

The country house in the right middle ground has been identified as one which used to lie on the river Vliet, running between Delft and The Hague. Though this is possible, the house does not seem sufficiently distinctive to permit such a specific identification. This scene, however, depicts a fashionable part of Holland in the seventeenth century: a navigable canal or river with a well-kept towpath and a considerable volume of freight traffic. Lining the water are houses with plots of land extending into the flat, low-lying, fertile, reclaimed land. There is an alternation of elegant farmhouses, like the one with a stepped gable and hayrick, and buitenplaatsen (country houses), like the one nearer to us, with its ionic pilasters and dormer windows with scroll surrounds (as opposed to the more traditional gables). This house has a stone gate and a topiary hedge with claire-vues and an avenue of trees. Audrey Lambert reproduces a 1770 map of Rijswijk, between Delft and The Hague, which still shows exactly this alternation of simple plots and formal gardens extending into the polders on either side of the Vliet and nearby roads. (The Making of the Dutch Landscape: An Historical Geography of the Netherlands, 1985)

This image by Heyden (1637-1712) is notable for its restrained depiction of evening light, with more white than gold in the spectrum and just a hint of pink in some of the clouds. But it is the vivid naturalism of the scene, with its matter-of-fact viewpoint, recording a public thoroughfare with no deference to the country house, which so remarkably anticipates the landscapes of the Impressionists. It is also possible that Constable had seen this painting when he painted his Scene on a Navigable River in 1816–17 (Tate, London), with its sparkling pointillist touch and scrupulous record of a working inland waterway.

Signed lower left: 'Heyde'

Text adapted from Dutch Landscapes, London, 2010

Further details

Additional Creators: Previously attributed to Adriaen van de Velde (Amsterdam 1636-Amsterdam 1672) (artist)
Category: 
Paintings