Amid the clouds, the three Graces hold hands. Two are facing outwards; the central figure is seated in the foreground and is seen from the back. The three Graces were the handmaidens of Venus, and a typical grouping of them, as seen here, derives from antique prototypes. The Graces are framed by billowing drapery and accompanied by two cupids - the right-hand Grace has apparently disarmed the cupid below of his arrow.

Like other works by Liberi in the royal collection, this painting demonstrates the influence of Titian. The pose of the seated Grace seems partially to recall that of the seated nymph in Titian's Diana and Callisto (National Gallery and National Galleries of Scotland). The subject was painted more than once by Liberi; pictures of the Three Graces by him are recorded in several collections in the seventeenth and eighteenth century.